♪♫♪♪♫ So
Mama, don’t take my Kodachrome away…♪♫♪♪♫
--Paul Simon, 1973
Readers
half-way through their statistical lifespans, or further, likely owned a film
camera at one time or another. For you younger readers, back in our day, things were different. Our
objects didn’t multitask. Rather than having an iGadget that did everything, we
used typewriters to send mail, phones plugged into walls to make calls, pocket
calculators for math that was beyond our mental abilities, watches on our wrists
to tell the time, and our contact lists sat on top of our desks in circular filing
cabinets called Rolodexes. Yes it was all very primitive, but we got by just
fine. And to take pictures we used a camera that was only a camera. Its sole job
was to make images on this stuff called “film,” that you had to take to a
camera shop, who then sent it to a big lab somewhere to be processed. It took
us a week or more to get our pictures back after a big event.
The
King of these cameras, used by pros and avid shutterbugs alike, was the SLR.
That stood for Single Lens Reflex. These were heavy metal beauties that took a
range of interchangeable lens. You would have a wide-angle lens, a normal lens,
a portrait lens, and a variety of telephoto lenses. Oh, and if it was dark—defined
as not outside in bright sunlight—you
needed a flash, too. Back in the day, photography required lugging some serious
gear.
The
great innovation of the SLR, over the cameras that came before it, was that you
could hold it up to your face and actually see through the lens that was taking
the picture. Prior to that, we had cameras you held at waist-level and looked
down into, or ones that used a view finder that never quite let you see the
same thing the camera was seeing. The technological marvel of the SLR was
accomplished by using a mirror and a large glass prism to bounce and flip the incoming
light around. (Camera lenses see the world upside down from they way your brain
does, but that’s a subject for someone else’s blog.) It was this pyramid-shaped
prism, sitting proudly dead-center atop generations of SLR cameras that gave
them their distinctive look—a look that became so iconic that it can only be
described as cameresque. For decades
before the digital era, if you said the word “camera” to almost anyone in the
world, they would picture in their mind’s eye the iconic pyramid profile of the
SLR. I bet you could even have gone into the heart of Africa with a deck of
flash cards, and if you showed a clip-art drawing of a SLR to the bush people there,
they would have known exactly what it was.
And
just what the fuck does this have to do with the Snap insulin pump? Why, everything,
of course. Because buried inside the Snap is a prism that reminded me of the
cameras of my younger days.
OK,
granted. It’s a lot smaller. And plastic. But still…
So
what is it doing there? Surely there’s no film in the Snap. Well, I don’t actually
know that there’s no film inside a Snap, as I’ve yet to dismember one (don’t worry,
it’s on my “to-do” list). And, come to think about it, that description is less
than accurate. Technically, the Snap prism isn’t part of the pump. It’s part of
the infusion set, built into the tubing connector. Here, look for yourself:
Remember
when I told you that Snap infusion tubing was unique? That you couldn’t use the
left over Luer lock sets from your Animases, Cozmos, Spirits and pre-Paradigm
Med-T pumps? Right. The part of the Snap tubing that connects to the pump is
unique, proprietary, and not compatible with the closet-full of horded infusion
set supplies you’ve been jealously guarding just-for-in-case you lose your
health insurance.
Sucks
to be us.
Now,
when Med-T did this a while back, I cried foul. I saw, and still see, no
technological need for the Paradigm ®
Tubing Connector. (Seriously, is there anything these people haven’t tried
to patent, trademark, or copyright?) To me it seemed like they replaced the
Luer lock to make sure no one else’s infusion sets would work with their pumps.
It was a monopolistic marketing move that provided no technological
improvement. Bastards. Hell, even the highly innovative t:slim pump uses the
standard Luer lock infusion pump connections, making it fully backwards-compatible
with your supply closet. Although, in the case of t:slim this is a mixed
blessing, because it created the bizarre “pig tail” connection that people
either love or hate.
Now,
just to be clear: the body-set end of the Snap infusion set is compatible with
old gear, but the tubing and connector are not. I suppose you could use up some
old supplies by just reusing the Snap tubing and connector with surplus body
sets until the needle that pierces the penfill of insulin gets so dull that you
can’t force it through the top membrane anymore…
But
I digress.
The
prism is actually part of the Snap’s occlusion detection system. For you pump
virgins, (that sounded a lot worse than I had intended it to) an occlusion is
any blockage in the insulin delivery system. Often occlusions are caused by
kinked tubing. Just as twisting a garden hose can cut off the water flow, a
twisted infusion tube can cut off the life-sustaining flow of insulin. At other
times occlusions are caused by bent or twisted cannulas inside the body. And
sometimes occlusions are caused by biological fouling—basically, the cannula
gets plugged up by fat, dead white blood cells, or whatever.
Pumps
are designed to detect occlusions and alert the pumper to the risk, hopefully before
the lack of insulin puts the pumper through the roof blood sugar-wise, or into
the ICU in a coma. Pumps do this by monitoring the pressure of the system. Too
much pressure indicates that the insulin isn’t getting through, and an alarm is
triggered. Realistically, if the problem is a blockage during basal delivery,
most pumps won’t warn you in time. There’s just not enough insulin being
delivered to build up a high enough pressure. Accordingly most occlusion alarms
happen inconveniently during an attempt at meal delivery, and your food gets
cold while you try to trouble-shoot the problem and then worry about what
percentage of the failed bolus really
got into your body.
Sucks
to be us.
Now,
truth be told, I’m not really sure how other pumps detect occlusions, but I
know how the Snap does. It uses Kodachrome.
Well,
not quite. But it uses a cousin of the good ol’ SLR technology to ferret out occlusions.
The prism on the hub is installed above an ultrathin sheet of material that
lies against the tubing. The hub, when attached to a Snap body, and when the body
is snapped onto a controller, fits snugly down inside of the pump:
The prism is mated to a window on the controller
:
This
window sends out a light beam that travels through the prism and back into the
window again. So long as the light is sent and received, all is well. However,
if the pressure builds up too much in the tubing, the light is blocked off as
the expanding tubing pushes the ultrathin material upwards. If the pump can’t
see either one lamp or two, it knows the British have already gotten to Boston and
captured the church. It doesn’t really matter if they came by land or by sea, the
shit has hit the fan. When the pump can’t see the light, an occlusion alarm
goes off. All thanks to the little prism built into the infusion tubing
connector. Very clever, Black and Decker. (’Cause very clever, Asante don’t
rhyme.)
The
Snap may not take snapshots, but it has camera technology under the hood.
Next time: The light of your life
2 Comments:
Like you, I also cried foul when Medtronic migrated to the so-called "Paradigm" infusion sets because we could no longer use Disetronic, err Accu-Check (Roche) infusion sets which IMHO, were better. Indeed, there was no new paradigm other than to force Medtronic pump wearers to use their infusion sets, so the paradigm was a marketing one for Medtronic, not for patients. For that reason I went with Animas, so Medtronic lost an $7,500 sale and all the peripheral stuff that goes with it. Decisions have consequences, as I reminded Medtronic (to no avail). In the end, the occlusion mechanism here is different; whether it proves more reliable remains to be seen. However, many photographers swear analog film take superior photos over digital devices, so maybe this technology isn't such a bad idea after all!
I love this description, Wil. Beautiful.
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